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Recently, the FEI have announced that they have completed an extensive review of Cesar Parra’s training methods covering many years. The tribunal evaluated large amounts of evidence showing Parra abusing numerous horses across countless training sessions. Parra has received a fine, a 15-year ban from FEI and national competitions, and is prohibited from training other FEI riders and horses for the duration of the ban. However, this does not stop Parra from continuing to own and train horses.
This rider has been at top level dressage since the mid 1990’s, including competing at the Athens Olympic games. Which raises a very important question. Why have judges continually promoted this rider by awarding him high marks? There is individual variation in how each trainer choses to progress the horse and rider. The movements used are the same, but the way that they are ridden, when and how they are used, and which gadgets are employed vary greatly. A similarity between dressage and art can be made here. A group of artists can all paint the same thing at the same time. They will all apply paint to a canvas and at the end there will be a picture of what they saw. But each picture is different based on the artists interpretation of the view and how they have used the tools available to them. The way in which a horse has been trained can be clearly seen in the way that the horse performs each movement. In the way that an art expert can look at a painting and see the techniques the painter used, dressage judges should have the knowledge and experience to see the type of training, based on how each movement is performed. However, they still award high marks for poorly executed movements, champion horses moving with hollow backs and braced necks, and ignore signs of pain and distress that the horse shows. For the world of dressage to survive, the judging needs to change radically and rapidly. Horses are not machines; movements vary depending on the horse’s conformation and its natural abilities. It is the trainer’s responsibility to recognise this and adapt the training to best suit the horse. It is the judge’s responsibility to recognise where training has been incorrectly used for the horse they are seeing, and mark this appropriately. Please see previous blogs - charlotte-dujardin-returns-to-competition.html and another-olympic-rider-abuses-a-horse5440859.html Training Riders, Transforming Horses © Diane Followell Comments are closed.
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AuthorDiane Followell Classical Dressage Trainer
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